"When power leads man toward arrogance, poetry reminds him of his limitations. When power narrows the areas of man's concern, poetry reminds him of the richness and diversity of his existence. When power corrupts, poetry cleanses, for art establishes the basic human truths which must serve as the touchstone of our judgment." - John F. Kennedy

Thanks for finding me. This is a fairly random sampling of my poetic rumblings beginning in the mid-70s to present day. Not definitive or complete, just things that struck me again for one reason or another on revisiting. There are a couple of previously published collections here which might be good places to start if you are diving in blind from the precipice.

Try the collections MEET THE BEATS or GLIMMERING RAY DUET (both archived in June 2008 in the menu below right) for starters if you are so inclined...

As of 2016, I will be publishing my song lyrics on a seperate page from the more poetic scribblings here. Pieces that first appeared here and then later were arranged for music will remain here in their original form but may appear edited on the lyric page. Check out the links section for the original song blog.

Tuesday, March 23, 2010

MORE EARLY PUBLISHED POEMS

SPIGOT (early version)

I.

stranger
nemesis to himself
foisting drill-press limitation
hard-edged
guilt by disassociation
fire line discombobulation
on one's own psyche.

not particularly healthy
non-controllable, weird osmotic
chemical reaction to heart's conundrums
not conducive to positive growth potential.
fuck the diagnosis
race for the cure.

II.

deserted.
non-malicious bailing out
those who've had enough
or search a different window.

there has not been a day
without tears
(waterfall;
glacial trickle > ocean roar
record setting, soaking pearls
of rejected anger, mists of acceptance
beauty's reflected appreciation
longing's widening, leaking fissure)
raining for 49 humid days
dark, ebony nights .
after 15 years of drought,
thirsting for tear's acknowledgment
of some dab of emotion left floating inside,
the parched earth
rock solid
impenetrable
like my stupidity
my rigorous, inflexible blinders
the spidery flawed face of the self-loathing mirror
turned shamefully to the wall.
Barely a smidgen of moisture crept through.
But what did seeped into the cracked weaknesses
of my hardened self-hatred
created rivulets of hope
positive flow


(beneath the surface
waterways tinged of reminiscence
just navigable
in the eerie inner darkness
the memory of passionate language of thought
floating
downstream
toward that light)

III.

my face
flushes briefly with the warmth...
stopping breath
time
memory
flow
only to slip further away
always, inexplicably out of her grasp
always mysteriously in reach
waiting
always for that warm glimmer
upon my saddened brow.

always
the light
she silently calls out
whispering my given name
singing the word "beautiful"
softly on my every breath.

always
a darker reality
than the soul can bear.

IV.

time cradles light like a fragile child
sneering menacingly at the baby's face
calling it's hand.
full of love, sustenance and compassion
the light's radiant smile
briefly tickles time's chin
only to dim
in it's powerful stare.


-- 6/23/96 as it appeared in print. This version appeared in the poetry zine
A Hindu, A Buddhist & A Lion Tamer, #2, Folcroft, PA. 1996
Credited to “Victor Bradley”. A later edited version appeared in GLIMMERING RAY DUET collection (see blog posted here on June 30, 2008)

MY EARLIEST PUBLISHED POETRY: from ESSENCE OF DRAGON WINGS

In August of 1978, I had three poems published in a poetry zine put out by a handful of SDSU poetry department students and teachers. My friend Mary Jacob was involved and Stan Sewitch another friend of Mary and mine did some illustrations if I recollect. The following three poems show my earliest stabs at thinking I could try this. I'd had a great poetry course recently with the marvelous central California poet, Gary Soto. It would be years before I found what he called "my emerging voice" but his encouragement as well as that of Carolyn Forche who was also teaching at State helped me at least be comfortable enough to show them around a bit.


What I like about them now, even in their struggle to be "poetic", I was able to grab three distinct moments from my life and write about them with separate structural ideas while still trying to reflect the way I heard myself speaking. Baby steps.



THEY LOOK LIKE TWINS IN THE DARK

Lit by burning wax thru ferns and plate glass
Skin against warm skin
Lava on rock
Hips moving against each other.
The record sings, "Open your eyes, you can fly!"

They listen with armies of moths
Fluttering under their skin.
The dreams, like flames thru dry ice,
Surround them in candlelight about the walls.

Someone watches from the window
As the moon slips behind a cloud.

-- for Dusty, Ocean Beach, February, 1977
first published in Essence Of Dragon's Wings, Vol. 2, No. 1, 1978

THE WORM

There's a religious fanatic
On Channel 10
And three drunks doing somersaults
In the living room;
One without his upper plate
And the other two munching down
Week-old chow mein.

And I'm in here
Halfway between drunken despair
And Forks, Washington.
Lying in bed
I try to find a comfortable spot
To leave both my feelings and my hangover.
No lightning between my toes.
No passionate clinches in dark hallways.
No laughter from behind the bathroom door.

Damned exotic fruit drinks:
Every time somebody turns on the blender the TV zaps out.
I never remember drinking the worm
But it always crawls up my throat
In the middle of breakfast.

-- Ocean Beach, December 1976
first published in Essence Of Dragon's Wings, Vol. 2, No. 1, 1978

UNHEALTHY

A year ago today
you told me to get my
tooth fixed
one day later
we had lunch
in front of a swing band
I haven't seen you since.



-- for Papa, San Diego, November 1977
first published in Essence Of Dragon's Wings, Vol. 2, No. 1, 1978

Wednesday, March 10, 2010

TRIO THREE


Not nearly straight and nothing but chaser

Illustrious riff rears its Promethean head

For one brief measure

Every 20th or so

Just a clue

Like a fleck of orange in a room-wide

Pollack

diatribe.


~ spontaneous composition penned during the opening tune of the first set of

TRIO THREE (Oliver Lake / Reggie Workman / Andrew Cyrille) at the Philadelphia Art Museum.

ON THIRTY

At eight years past
Or perhaps six

You were pulled

Arguing, across my path

by a girl with eyes wide set as mine.

You wore the faddish

stupid pants of the day.

Eventually

I rolled up my sleeves

And threw my forearms

Around your raving countenance.

You paced

Still do

Frenetic

Anxious

Sponge on wheels

Suck it up

All glorious life

All yammering living.


Tonight

Your 29 years

Still tumescent
Roll away behind you.


I ride facing backwards on a train

From jazz central

Back into the womb

Of your caring family

And eloquent friends

Together

Celebrating your breath

Laughter

Your flow

Magical exuberance of sexy intellect

Childish insecurity
And macho vitality.


We love every bit

Toast your life

Hold you close

Want forever

Your respect

Promise our love

Declare our loyalties.


Your world

Always ours

Our joy at your presence

Tasting

Of deep red wine

on our tongues.














~ for NG, 4/25/08